White

4.11.2012 / Live at Harris Concert Hall, Memphis, TN

PLOUTONION Quartet

8.25.2016 / Hilton Colorado Springs-North, Colorado Springs, CO

THE HUMAN AND NON-HUMAN

3.2.2019 / Live at Rehearsal Hall, Orlando, FL

R E L I Q U I A E

3.1.2020 / Live at Turner Recital Hall, Nashville, TN

Closing Credits of Dan Baker’s Clair de lune

8.6-7.2021 / Multiple screenings, Memphis Film Prize 2021

Gusthold Proudly Presents Zane Gillespie's Metanoia

1.22.22 / Advertisements promoting the publication of Metanoia for woodwind quintet & fixed-media electronics

Reading from Jason W. Johnson's The Night Watches

7.26.2023 / Live at Kollective Coffee + Tea, Hot Springs, AR

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MISCELLANEA

Featured
Metaphysical Nesting of Explicit Self-similarity: A Composer’s Manifesto

Metaphysical Nesting of Explicit Self-similarity: A Composer’s Manifesto

Towards a new aesthetic: Noumenism and Noumenist poetics

Towards a new aesthetic: Noumenism and Noumenist poetics

The Destabilizing Cybernetics of Implausibility: The Anti-Anthropocentric Crisis (2019)

The Destabilizing Cybernetics of Implausibility: The Anti-Anthropocentric Crisis (2019)

Critique of Robert J. Martin's Musical The Musicians of Bremen (2019)

Critique of Robert J. Martin's Musical The Musicians of Bremen (2019)

Gillespie, Z. (2017). “A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay". In Proceedings of EUROMAC9, Strasbourg, France, 28 Jun - 1 Jul 2017.* 

 *Conference presentation based on peer-review abstract

A Model of Triadic Post-Tonality for a Neoconservative Postmodern String Quartet by Sky Macklay (2017)

Opening Remarks Before the Premiere of Two Noumenist Poems (2016)

“Mesmeric Revelation”: Art as Hypnosis (2015)

Dissertation (Front Matter; 2013)

Dissertation (Front Matter; 2013)

ANALYSIS OF WEBERN’S FIVE MOVEMENTS FOR STRING QUARTET, OP. 5, NO. 1 (2012)

REGULAR MEETING OF THE BOARD OF EDUCATION OF THE SHELBY COUNTY SCHOOLS TUESDAY, OCTOBER 30, 2012 5:30 P.M. 

Story of the Premiere of Valentine Park (2011)

"In Our Image" (2011) by James Daniel Gillespie

Prolegomena to a Manifesto of Noumenist Poetry (2009)

Prolegomena to a Manifesto of Noumenist Poetry (2009)

Analyses: Charles Ives’ Song A Farewell to Land and Hildegard von Bingen’s Antiphon O rubor sanguinis (2009)

Analyses: Charles Ives’ Song A Farewell to Land and Hildegard von Bingen’s Antiphon O rubor sanguinis (2009)

Evidence for Recursion in Claude Debussy’s Prélude à l’aprés-midi d’un faune: A Quantitative Analysis (APA; 2009)

Evidence for Recursion in Claude Debussy’s Prélude à l’aprés-midi d’un faune: A Quantitative Analysis (APA; 2009)

Evidence for Recursion in Claude Debussy’s Prélude à l’aprés-midi d’un faune (Turabian; 2009)

Dissociation in Post-Formal-Operational Music Listening (Presentation Packet; 2008)

Investigating the Role of Dissociation in Post-Formal-Operational Music Listening (2008)

University of Buffalo (The State University of New York) Poetics Discussion Group (2008)

Preface to Jason Johnson's Catgut Glorias Chapbook (2008)

Preface to Jason Johnson's Catgut Glorias Chapbook (2008)

ANALYSIS OF MONUMENT (1976) BY GYÖRGY LIGETI (2007)

ANALYSIS OF MONUMENT (1976) BY GYÖRGY LIGETI (2007)

EVOLUTION UNNOTICED (POWERPOINT PRESENTATION; 2007)

EVOLUTION UNNOTICED: HOW SURFEIT OF PITCH DEMONSTRATES THE INVERSE PROPORTION BETWEEN PITCH AND TIMBRE SUPREMACY (2007)

Musical Autobiography (2007)

An Aesthetic Evaluation of a New Technique of Composition Inspired by Leading Principles of Chaos Theory

An Aesthetic Evaluation of a New Technique of Composition Inspired by Leading Principles of Chaos Theory (2000; rev. 2004)